Sunday, November 27, 2011

Quicksilver Messenger Service







John Cipollina
Click HERE listen to QMS from 1966







Biography

by William Ruhlmann
The band that became Quicksilver Messenger Service originally was conceived as a rock vehicle for folk singer/songwriter Dino Valente (b. Nov. 7, 1943, d. Nov 16, 1994), author of "Get Together." Living in San Francisco, Valente had found guitarist John Cipollina (b. Aug. 24, 1943, d. May 29, 1989) and singer Jim Murray. Valente's friend David Freiberg (b. Aug. 24, 1938) joined on bass, and the group was completed by the addition of drummer Greg Elmore (b. Sep. 4, 1946) and guitarist Gary Duncan (b. Sep 4, 1946). As the band was being put together, Valente was imprisoned on a drug charge and he didn't rejoin Quicksilver until later.

They debuted at the end of 1965 and played around the Bay Area and then the West Coast for the next two years, building up a large following but resisting offers to record that had been taken up by such San Francisco acid rock colleagues as Jefferson Airplane and the Grateful Dead. Quicksilver finally signed to Capitol toward the end of 1967 and recorded their self-titled debut album in 1968 (by this time, Murray had left). Happy Trails, the 1969 follow-up, was recorded live. After its release, Duncan left the band and was replaced for Shady Grove (1970) by British session pianist Nicky Hopkins. By the time of its release, however, Duncan had returned, along with Valente, making the group a sextet.

This version of Quicksilver, prominently featuring Valente's songs and lead vocals, lasted only a year, during which two albums, Just for Love and What About Me, were recorded. Cipollina, Freiberg, and Hopkins then left, and the remaining trio of Valente, Duncan, and Elmore hired replacements and cut another couple of albums before disbanding. There was a reunion in 1975, resulting in a new album and a tour, and in 1986 Duncan revived the Quicksilver name for an album that also featured Freiberg on background vocals.

Saturday, November 26, 2011

Chicago Transit Authority

Click HERE to watch and listen to Chicago (still Transit Authority?) July 21,1970!
                                               a few days b4 this show

Concert Summary  taken from Wolfgangs Vault

August 17,1969 @ Filmore West
Robert Lamm - keyboards, lead vocals
Terry Kath - guitar, lead vocals
Peter Cetera - bass, lead vocals
James Pankow - trombone, percussion
Lee Loughnane - trumpet, percussio, background vocals
Walter Parazaider - woodwinds, percussion, background vocals
Daniel Seraphine - drums
These recordings are from the final night of a run that featured Chicago Transit Authority opening and closing a show that also featured sets by The Youngbloods and Colosseum in between. These remarkable sets capture the band riding high on the great success of their debut album and performing that material, along with some of the songs destined for their second album, which they were recording in Los Angeles that same month. Many of the songs that established the band are here and remind us that this was once a band with serious musicianship whose wide-ranging creativity was both aggressive and inviting. The group had an undeniable flare for writing captivating pop songs, but it is the lengthier, more experimental material that is most impressive here. Terry Kath's sizzling neo-psychedelic guitar playing is simply outstanding on these sets and reveal exactly why Jimi Hendrix himself was so impressed. Blood, Sweat & Tears (with founder Al Kooper long gone) was the other horn band experiencing great commercial success at this time, but Chicago had a gutsier sound, and in many ways were fulfilling the promise of the original Al Kooper-led version of that band. Chicago would become progressively less adventurous with every album, but in 1969, they were one of the most confident, diverse, and just plain exciting bands on the planet.
Following a brief stage introduction, where the MC says, "Just about the most exciting thing to happen to the Windy City since the big fire -- a real heavy -- let's welcome Chicago," the early show begins. They kick it off with "Poem 58." It begins as a guitar-heavy tour de force with Terry Kath absolutely ripping away, prior to becoming an intriguing bluesy love song. Like much of Chicago's early material, this is a lengthy modular composition, featuring plenty of tight ensemble playing as well as sections for improvisational flights.
A brief freeform piano improvisation by Robert Lamm leads directly into a tight letter perfect rendition of "Does Anyone Really Know What Time It Is," one of the songs receiving AM radio attention at the time and that would become one of their first big hits. Another lengthier composition, "It Better End Soon," follows, where Robert Lamm voices his political opinions within another modular framework. The remainder of the early show vacillates between additional first album material, such as Lamm's power-pop confection, "Questions 67 & 68" and the Lamm/Pankow composition, "Someday," as well as new material destined for their second album; sessions for which were currently in progress at the time of this run.
"Poem For The People," although missing a few seconds near the end (due to the reel running out) is expectedly almost identical to it's studio counterpart. The same can be said for the setclosing "25 Or 6 To 4," which they were also recording at the time, but in the case of the latter, the bands enthusiasm for this new song is contagious and it is wonderful hearing this classic early Chicago number when it was so vibrant and new.
Following this, a stage announcement is made saying "They'll be back to close our show." Earlier in the set, Robert Lamm says, "We can't play everything now, but we'll play the other songs at the next one," which is exactly what they do during the incendiary set that closes the show later that night.
LISTEN TO THIS BELOW THE PICTURE BELOW...



Listen to more Chicago Transit Authority at Wolfgang's Vault.
just press the orange play button

Now a show from '74 with material from "Chicago VII". Though they have more to the pop sounds they still have a certain edge and this is a great sounding recording...enjoy
Press HERE to Listen
VIA Sugarmegs

Wednesday, September 28, 2011

Derek and The Dominos sans "Skydog"

 


Biography

by William Ruhlmann
Derek & the Dominos was a group formed by guitarist/singer Eric Clapton (born Eric Patrick Clapp, March 30, 1945, Ripley, Surrey, England) with other former members of Delaney & Bonnie & Friends, in the spring of 1970. The rest of the lineup was Bobby Whitlock (b. 1948, Memphis, TN) (keyboards, vocals), Carl Radle (b. 1942, Oklahoma City, OK -- d. May 30, 1980) (bass), and Jim Gordon (b. 1945, Los Angeles) (drums). The group debuted at the Lyceum Ballroom in London on June 14 and undertook a summer tour of England. From late August to early October, they recorded the celebrated double album Layla and Other Assorted Love Songs (November 1970) with guitarist Duane Allman sitting in. They then returned to touring in England and the U.S., playing their final date on December 6.
Press play below to listen to a track from these shows!


Derek and the Dominos In Concert U.S Pressing Vinyl Rip With Bonus
From Wikipedia, the free encyclopedia
In Concert
Live album by Derek and the Dominos
Released  January 1973
Recorded  23 October & 24 October 1970, at Fillmore East
Genre  Rock, Blues
Length  89:45
Label  Polydor Records
Professional reviews
    * Allmusic 3/5 stars link
      
    * Robert Christgau (A-) link

 * Eric Clapton: Guitars, vocals
    * Carl Radle: Bass guitar
    * Bobby Whitlock: Piano, Hammond organ, vocals
    * Jim Gordon: Drums, percussion


In Concert is a live double album, recorded by Derek and the Dominos in October 1970 at the Fillmore East and released January 1973.
Six of the album's nine tracks were subsequently included on the 1994 album Live at the Fillmore. The three songs not included are "Why Does Love Got to Be So Sad," "Let It Rain," & "Tell the Truth." Live at the Fillmore also includes these songs, although they are from different sets than the ones appearing here.

 Track listing

   1. "Why Does Love Got to Be So Sad" (Clapton, Bobby Whitlock) – 9:33
   2. "Got to Get Better in a Little While" (Clapton) – 13:50
   3. "Let It Rain" (Bonnie Bramlett, Clapton) – 17:46
   4. "Presence of the Lord" (Clapton) – 6:10

   1. "Tell the Truth" (Clapton, Whitlock) – 11:21
   2. "Bottle of Red Wine" (Bramlett, Clapton) – 5:37
   3. "Roll It Over" (Clapton, Whitlock) – 6:44
   4. "Blues Power" (Clapton, Leon Russell) – 10:29
   5. "Have You Ever Loved a Woman?" (Billy Myles) – 8:15


Also Included "Little Wing Taken from Guitar Player magazine soundpage Aug 1988.

















Eric and Bobby





                                                                           http://www.mediafire.com/?qj11v3c69xr7a

click links above to download

Monday, September 26, 2011

B.B. "Chung" King & The Buddah Heads

The Buddaheads are a progressive bluesrock band
formally on RCA records.fronted by singer songwriter
ALAN(BB Chung King) MIRIKITANI.Considered to be one of the best guitar player singers in all of
southern california.BB also writes songs with his songwriting partner of 10yrs.,Grammy and Handy
award winner Dennis Walker(also discovered and produced,Robert Cray).
Buddaheads is a term used by the 442nd army infantry,made up of all japanese americans during
WW2(the most highly decorated infantry in the history of America) .It is a name they used to affectionally call each other.BB's uncle Ugi was in the 442nd










                                                                                                                                                        







Derek & The Dominoes It's Too Late Live On The Johnny Cash Show, 1971

Rock Me Baby - The Rolling Stones With AC/DC [HD-Live 2003]